*1973, lives and works in Brooklyn, NY, USA |
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| EDUCATION | |
| 2000: | Skohegan School of Painting and Sculpture |
| 1999: | MFA Tufts University / School of the Museum of Fine Arts, Boston, MA, USA |
| 1996: | BA Art History, University of Georgia, GA, USA |
| BFA Painting, University of Georgia, GA, USA | |
| INDIVIDUAL EXHIBITIONS | |
| 2009: | Leo Koenig, New York, NY, USA |
| 2007: | Groeflin Maag Galerie, Zurich, Switzerland |
| 2006: | Solomon Projects, Atlanta, GA, USA Groeflin Maag Galerie, Basel, Switzerland |
| 2005: | Zach Feuer Gallery (LFL), New York, NY, USA |
| 2004: | LFL Gallery, New York, NY, USA |
| 2002: | Fredericks Freisure Gallery, New York, NY, USA |
| 2000: | Howard Yezerski Gallery, Boston, MA, USA |
| GROUP EXHIBITIONS | |
| 2009: | National Academy Museum & School of Fine Arts, "Reconfiguring the Body in American Art 1820-2009" New York, NY, USA |
| 2008: | Deitch Projects, "Conceptual Figures", New York, NY, USA |
| Leo Koenig Inc. Contemporary, "Between Us", Aidas Bareikis, Greg Bogin, Nicole Eisenman Justin Faunce, Torben Giehler, Ridley Howard, Tony Matelly, Les Rogers, Bill Saylor David Scher and Anke Weyner, Andes, NY, USA |
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| 31 GRAND, "Admirer" (curated by Maureen Cavanaugh), New York, NY, USA | |
| 2007: | High Museum of Art, "Recent Aquisitions", Atlanta, GA, USA |
| Hudson River Center for Contemporary Art, "Size Matters", Hudson, NY | |
| Chelsea Art Museum, "The Incomplete", New York, NY, USA | |
| Derek Eller Gallery, "NeoIntegrity" (curated by Keith Mayerson), New York, NY, USA | |
| Kravets Wehby Gallery, "The Incomplete Incomplete", New York, NY, USA | |
| 2006: | Gallery 4000, "Stiff" (curated by Ann Toebbe), Chicago, IL, USA |
| Fredericks and Freiser, "Sweets and Beauties", New York, NY, USA | |
| Galleria Glance, Benjamin Butler, Holly Coulis, Ridley Howard, Torino, Italy | |
| 2005: | Sixtyseven Gallery, "Hello Sunday", New York, NY, USA |
| Groeflin Maag Galerie, "Honeymoon with Romeo", Basel, Switzerland | |
| Geoffrey Young Gallery, "Radical Vaudeville", Great Barrington, MA, USA | |
| CUE Art Foundation, Joan Mitchell Foundation Recipients, New York, NY, USA | |
| Feigen Contemporary, "Of Life and Limb", New York, NY, USA | |
| 2004: | Soloman Projects, "Homegrown", Atlanta, GA, USA |
| Greener Pastures Contemporary Art, "Under the Sun", Toronto, Canada | |
| Sean Kelly Gallery, "Expect: Art", New York, NY, USA | |
| East International (curated by Neo Rauch and Gerd Harry Lybke), Norwich, UK | |
| 2001: | Fredericks Freisure Gallery, "Garden State", New York, NY, USA |
| Fredericks Freisure Gallery, "I see you 2" (curated by Kki Smith and Sam Messer), New York, NY, USA | |
| Howell Mill, "Cream", Atlanta, GA, USA | |
| 2000: | LFL Gallery, "Open", New York, NY, USA |
| The Baltimore Museum of Contemporary Art, "Snapshot", Baltimore, MD, USA | |
| 1999: | Clifford Smith Gallery, "Go Figure", Boston, MA, USA |
| 1998: | Mills Gallery, Boston Center of the Arts, "Posing", Boston, MA, USA |
| BIBLIOGRAPHY | |
| 2009: | Josephina Ayerza, lacanian ink 33, Ridley Howard, Cathy Lebowitz interviews Josephina Ayerza New York, front and back cover, pp. 172-179 |
| Kate Noonan, “The Missing,” Baltimore City Papers, January 14 | |
| 2008: | “Conceptual Figures @ Deitch Projects“, Whitehot Magazine, October |
| Doug Mason, “Exhibit showcases extra small, powerful works of art“, Knoxville News Sentinel, March 23 | |
| Jon Fauer, “Ridley Howard,” Film and Digital Times, March | |
| 2007: | Susan Richmond, Ridley Howard at Solomon Projects, Art Papers, January/February |
| 2006: | Charlotte Mullins, Painting People; Figure Painting Today, DAP Press
Jerry Cullum Ridley Howard at SolomonProjects, Atlanta Journal Constitution, Dec.24 |
| Felicia Feaster, Ridley Howard’s Feminine Mystique, Creative Loafing Atlanta, Dec. 6 | |
| Rebecca Dimling Cochran, Ridley Howard, The Atlantan, November | |
| Luca Vona, Il Nuovo Folk, Exibart.onpaper, no.32, September | |
| Mario Benz, Auf der Suche im Nirgendwo, Basler Zeitung, June 8, p. 25 | |
| 2005: | Charlotte Mullins, False sense of security, Financial Times, August 13 Francine Miller Koslow, Ridley Howard, Tema Celeste, July/August |
| Mario Naves, Is Orange the Next Blue? Ridley Howard's Figurative Conceit The New York Observer, May 2, p. 20 |
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| Daniel Kunitz, Meet the new folk, ArtReview, April | |
| Daniel Kunitz, Modern Folk, Vanity Fair, April | |
| Charlie Finch, The Decline and Fall of Painting, Artnet.com, April | |
| Kayleen Schaefer, Culture: Ridley Howard, April, p. 56 | |
| 2004: | Jerry Cullum, Same Name, Different Game, Atlanta Journal Constitution, July 18 |
| Felicia Feaster, Summer Sizzles, Creative Loafing, July 8 | |
| Ian Collins, Paintings come out of the Cold, Eastern Daily Express UK, London, July 3 | |
| Karolyn Hatton, Brass Buttons..., East, ex. cat. | |
| 2002: | Christopher Chambers, October Picks, NY Arts, October |
| Alexi Roth, Ridley Howard, The New Yorker, October 7 | |
| Ken Johnson, Ridley Howard, The New York Times, October 4 | |
| 2000: | Francine Koslow Miller, Ridley Howard, Artforum, Summer, pp. 187-188 |
| Kate McQuaid, Ridley Howard, The Boston Globe, March 22 | |
| Mark Valentine, Paintings of Suburban Childhood, The South End News, March 8 | |
| 1999: | Kate McQuaid, Ridley Howard, Striking Portraits, The Boston Globe, July 22 |
| Kate McQuaid, Ridley Howard, Posing, The Boston Globe, January 03 | |
| GRANTS AND AWARDS | |
| 2001: | Pollock-Krasner Foundation Grant |
| 1999: | Joan Mitchell Foundation Grant |
| 1998: | Dana Pond Painting Award, SMFA |